11/19/2023 0 Comments Tunesmith lloyd biggle summaryBoth these texts, although critical of the status quo, differ from traditional utopias in that they feature an active protagonist and, as in Moylan’s critical utopia, portray imperfect, multiple, and ambiguous “better worlds.” These innovative features, I argue, stem from the authors’ engagement with the utopian genre’s insufficient and problematic treatment of race. This article discusses two such interventions: Imperium in Imperio (1899) by Sutton E. Like the oppositional movements that inspired its emergence, the critical utopia has been in the making throughout the twentieth century, particularly in marginal works. While Tom Moylan has famously located the origins of the critical utopia-a utopia that is critical both of the status quo and of the traditional utopia itself-in the aftermath of the social turmoil of the 1960s, I argue that the metamorphosis of the genre began even earlier. Pavla Veselá Neither Black Nor White: The Critical Utopias of Sutton E. In the final section of the article, it is suggested that the perception of Spain’s scientific backwardness during the nineteenth century might, ironically, have led to innovative experimentations in the sf genre there. It examines in detail two sf narratives from this period, Antonio Flores’s Ayer, hoy y mañana and Leopoldo Alas’s “Cuento futuro” and suggests that both these works represent important developments in the history of sf because of their totalizing attitudes toward the future. This article provides an overview of studies of nineteenth-century science fiction in Spain, arguing that scholars’ attitudes to this subject have changed dramatically over the past fifty years. Geraldine Lawless Unknown Futures: Nineteenth-Century Science Fiction in Spain The idea of rebellious and dangerous artificial slaves is an archetype that spans Western history and persists not only in the pre-modern and modern imaginations, via stories about rebellious AI servants, but also in ancient scientific accounts and in modern systems theory, which is the basis for real AI. Furthermore, at each of these intervals, this idea is connected with an emotional paradox: the joy of self-enhancement is counterpoised with the anxiety of self-displacement that comes with distribution of agency. The idea of artificial slaves-and questions about their tractability-is present not only in the literature of modern times but also extends all the way back to ancient Greek sources and it is present in the literature and oral history of the Middle Ages and Renaissance as well. This article surveys and analyzes the pre-industrial history of artificial humanoid servants and their historical persistence. Kevin LaGrandeur The Persistent Peril of the Artificial SlaveĪbstract. “Sounds like a Human Performance”: The Electronic Music Synthesizer in Mid-Twentieth-Century SF A Fantastic Voyage to Inner Space: Description in Science-Fiction Novelizations Neither Black nor White: The Critical Utopias of Sutton E. Unknown Futures: Nineteenth-Century Science Fiction in Spain The Persistent Peril of the Artificial Slave
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